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Teaching figure drawing and water color classes at Morehead State University, Mckinney along with five employed students and volunteers are creating a 1500 square feet mural that depicts the story of Noah’s Ark. The 10 foot tall mural explores different “scenes” in the narrative and requires preliminary planning and post painting ingenuity. One of the most different phases of the mural is the application of the canvas to the wall, which has not been attempted.  It will hang in the newly constructed day-care center at King’s Daughters Medical Center in Ashland, Kentucky.  The building is Mediterranean style; the courtyard, for security reasons, is closed off in the middle of the building and serves as the play area for the children.  Because nature is obscured by the walls, the mural surrounds the area and creates an environment of activity and natural scenes (water, animals, and beautiful color).  McKinney hopes that by being surrounded by and exposed to art at such a young age, children will be naturalized to it, rather than alienated or threatened by it.  To appreciate art is not to elevate it to the sublime, it is to make it a part of everyday life.  McKinney also gets the personal satisfaction of  seeing art students “bloom” by realizing what they can achieve.  Cooperation provides a sense of community and results in eclectic art.  This is, McKinney feels, the best environment for creative growth, and the best style of teaching.  He was influenced by his own instructors during college experience in the early seventies.

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To pursue higher education in Appalachia at this time was not as common or as commonly publicized as dropping out of high school.  The predicament of lack of education was cited again and again as need for training programs and more industry to allow Appalachians to help themselves overcome poverty.  Those that became college educated in other kinds of skills besides industrial jobs then left the region looking for openings to accommodate their training.  In James Branscome’s 1969 essay, The Crisis of Appalachian Youth, it is stated, “ While college graduates are demanded as leaders for the Region, only one out of ten Appalachian students goes on to college,” (Walls and Stephenson,224) and, “Demographic studies indicate that those trained in the Region’s colleges migrate in significant numbers to other areas,” (225).  The demographic findings were reflective less of apathy than of lack of finances.  As related in Appalachia:  A Regional Geography.  “The 36 Appalachian counties in Kentucky, traditionally the region’s poorest state, had a median income of only $1,392 in 1949….In 1969 the median income for Appalachian Kentucky was only 1 percent of the national figure,”(Raitz and Ulack, 172).  Apathy was often sited as a factor for dropping out of school.  To the contrary, during the time of Branscome’s essay, for many young men, fear of the Vietnam War draft was a bigger motivator than any apathy, and the Appalachian region was hard hit by casualties.  McKinney lost four close friends to the Vietnam War.

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